Yes, the bit about what the RED One was trying to do was a bit cringy but I thought it skirted around claiming it was better than film. The comparisons between the Alexa and RED One were very good, however. Coincidentally, I was doing work for Oakley as the RED One was being tested. After two test shoots with it, the director declared it B-cam and let a PA operate it, only because we couldn’t get the color right. This was action sports and the frame rate would have been useful. Even now, I am not sure much has changed. I don’t go on sets or handle much live footage these days but my observations have it that much of the production industry who could use it still lacks understanding of ACES. I have not worked with Alexa on any projects where I interacted with both camera and footage but my understanding is ARRI remains the king of blacks.