I also disagree with the OP about cost vs. quality. The key difference comes later when you're managing the artist. If the artist has talent then they also have a certain amount of leverage in the relationship. If you make them feel like a slave then they have an ultimate trump card: turning off the juice. (The "Atlas Shrugged" maneuver?) A talentless piece of meat plus auto tune gives you total leverage, which means risk mitigation and a more controllable product.
Right now the environment in the music industry is one of extreme risk aversion, which is something you see when the bottom falls out of an industry. You've arguably seen a much more risk-averse tech industry since the 2001 crash.
I think my points about piracy fit into a broader critique of the concept of "free" that I've been thinking about and that I've heard others talking about. Unlike previous critiques it's more of a liberal/progressive critique.
I also disagree with the OP about cost vs. quality. The key difference comes later when you're managing the artist. If the artist has talent then they also have a certain amount of leverage in the relationship. If you make them feel like a slave then they have an ultimate trump card: turning off the juice. (The "Atlas Shrugged" maneuver?) A talentless piece of meat plus auto tune gives you total leverage, which means risk mitigation and a more controllable product.
Right now the environment in the music industry is one of extreme risk aversion, which is something you see when the bottom falls out of an industry. You've arguably seen a much more risk-averse tech industry since the 2001 crash.
I think my points about piracy fit into a broader critique of the concept of "free" that I've been thinking about and that I've heard others talking about. Unlike previous critiques it's more of a liberal/progressive critique.